top of page

​

Orchestral

Anchor: Orchestral

Gordian Knot (2018) - full orchestra {12'}

    3.3.3.3 | 4.2.3.1 | timp. | 2 multiperc. | hp. | strings

Chamber Orchestral

Anchor: Chamber Orchestral

Antiphony (2018) for 14 players (double septet) {6'00}

  (picc, ob, cl, bsn, hn, tpt, tbn, tba, mba/xyl, vib, vn, vla, vc, cb)

​

Tessellations (2016) for 17 players

  (fl/picc, ob, cl, bsn, hn, tpt, tbn, tba, 2 perc, pno, hp, 2 vn, vla, vc, cb)

commissioned by Eastman Graduate Composers' Sinfonietta,

    premiered April 3, 2016 in Kilbourn Hall, Eastman School of Music

​

Quadruple Quartet (2014) for 16 players {19'}

   (fl/picc, ob, cl, bsn, hn, tpt, tbn, tba, 2 perc, pno, hp, vn, vla, vc, cb)

      I. Contrapunctus

       II. Collage

       III. Dovetail

       IV. Ricochet

​

​

Chamber

Anchor: Chamber

[Not yet titled]

(piano six-hands and amplified double bass)

       1. Skirmish {2'30"}

       2. [projected]

       3. [projected]

Piano Quartet: Perpetuum, Poem, Pandemonium (2015/19) {18'}

  (violin, viola, violoncello, piano)

       I. Perpetuum {7'30"}

       II. Poem {4'30"} 

       III. Pandemonium {6'}

​

Twinned Suite (2018) {16'30" complete of projected 20'30"}

   (violin & viola duo)

       I. Canto: Prologue {4'} 

       II. Pastorale/Reel (day music) {4'10"} 

       III. Soliloquy [pending, projected 4']

       IV. Burlesque/Nocturne (night music) {3'50"}

       V. Canto: Epilogue {4'30"} 

​

Strophes & Hijinx (2017/18) {10'30"}

  (violin & marimba duo)

  commissioned by Duologue (Suhashini Arulanandam & Nathan Petitpas)

       I. Strophe: Prelude

       II. Hijinx

       III. Strophe: Postlude

​

Myriorama (2017) for octet (double quartet) of flutes and strings {10'20"} 

  (piccolo, flute, alto flute, bass flute | violin, viola, violoncello, contrabass)

 commissioned by OSSIA New Music for their 20th anniversary season

​

Bagatelles (2017) for Pierrot Quintet {5'30"} 

 (flute, clarinet, violin, violoncello, piano) 

 commissioned by Eastman Broadband Ensemble for SoundSCAPE 2017

      I. Satire {4'} 

       II. Strata {1'30"} 

​

Three Fugues (2015) for double reed quartet  {10'} 

 (oboe, english horn, 2 bassoons) 

       1. Contrapunctus {4'} 

       2. In memoriam J.S. Bach {2'} 

       3. Dodecahedron {4'} 

​

Mosaic: a miniature (2014) for horn trio {1'20"}

 (violin, horn, piano)

chosen as one of ten winners in Red Hedgehog Trio's 10x10 Call for Scores

​

Escapade & Reverie (2013) for violin and piano  {10'30"} 

      1. Escapade {6'30"} 

       2. Reverie {4'} 

​

Fantasia & Fugue (2013) for four flutes {6'00"} 

​

Plea & Jubilee (2013) for oboe/eng.horn & marimba  {8'00"} 

​

Caricatures (2012) for saxophone quartet

      1. Cheer Up, Grump

        2. Errant Arrows of Eros

​

String Sextet (2011)

 (2 violins, 2 violas, 2 violoncelli) 

      I. Moto perpetuo

      II. Pizzicato scherzando

      III. Lento lugubre

      IV. Allegro canonico

​

​

Vocal/Choral

Anchor: Vocal/Choral

Tempora Mutantur (2016) for tenor, flute, clarinet, and guitar  {5'30"} 

  text by Ambrose Bierce​

  • composed for Toronto Creative Music Lab (TCML) 2016, 

    • ​premiered June 24, 2016 at 918 Bathurst in Toronto, Ontario.​​

​

Like as the Waves (2014) for 3 female voices (SSA) and solo cello {5'00"} 

   text by William Shakespeare

Transfiguration (2013) for small choir or 6 vocalists (SSATBB) {3'30"} 

   text by Djuna Barnes, with permissions from The Authors League Fund and St. Bride’s Church,

                                              as joint literary executors of the Estate of Djuna Barnes. 

​

Winter Rain (2013) for soprano & clarinet {3'00"} 

   text by Christina Rossetti

​

Himno (2011) for choir (SSATBB) {3'30"} 

   text by Gustavo Adolfo Bécquer

Anchor: Solo

Solo

Curiosities (2019) for harpsichord {11'}
  lovingly dedicated to Andrew Rosenblum

     1. Queen's Croquet {3'}

     2. Crab Canon {2'}

     3. Caterpillarpitterpatter {2'}

     4. Contraption {4'}

 

Canonic Studies (2019, ongoing) for organ

   in collaboration with Chelsea Barton

     1. in Renaissance style {3'20'}

     2. Tarantella  {1'}

     3. [not yet composed]
     4. Hocket  {2'}
     5. [not yet composed]
     6. [not yet composed]
   1.

Fugues and companion movements (2018, ongoing) for organ

   in collaboration with Chelsea Barton

 

  •  Prelude, Trio and Fugue (after Bach) {9'} 

  •  Ring-around-the-Rows [Fugue complete, Prelude forthcoming]

   
    projected: 

  •  Chromatic Fantasy and Fugue [latter adapting Dodecahedron]

  •  Toccata and Fugue [latter adapting Contrapunctus]

    

Runes (2013) - piano {4'} 

bottom of page